A creative exercise for an anti-gallery.
I volunteered as Galleri Anti's designer from 2019 to 2021. The work had one tension to hold: a gallery inside Copenhagen's art scene that wanted to challenge it.

A real gallery, an honest label.
The gallery welcomed street artists and performers who rarely fit the white cube. I built its identity across editorial work, campaigns and web concepts.
The editorial pieces and Need for Street campaign shipped. The website screens remained explorations, and I label them that way. The gallery has since closed.
The white cube met the street.
We were young, ambitious and open to almost every art form. I built the identity from the contradiction I saw in the name: white-cube restraint colliding with street energy.







The magazine sets the register.
The publication is the quieter side of the identity: halftone photography, collage, one accent color and artists' sketches left raw. I kept the grid disciplined, then broke it once on each cover.


How punk can a website be?
I explored three directions: a brutalist broadsheet, a quiet reading room and a photo-led hybrid. None shipped. I keep them here because they show how far I pushed the same manifesto: "an alternative to the established art scene in Copenhagen."




Give me the freedom, I will explore the paths.
Need for Street was a real open call made with Dzidra. I kept the chrome blackletter title fixed and let each story format take on a different material: risograph red, stone, teal and chrome. The feed stayed coherent without becoming uniform.





"I loved how much room this project gave me. I could push an idea hard, then pull it back until it still felt like the gallery."
